New Trailers! Ready or Not 2: Here I Come, 28 Years Later: The Bone Temple & Return to Silent Hill
🎥 Samara Weaving returns for another deadly game, Ralph Fiennes drags the horror franchise into even darker terrain & Jeremy Irvine gets lost in the fog!
🎥 “Ready or Not 2: Here I Come” Trailer: Samara Weaving Returns for Another Blood-Soaked Hunt in This Twisted Sequel with Kathryn Newton, Elijah Wood, Sarah Michelle Gellar and More — In Theaters April 10th, 2026
Marriage is a funny thing. It was supposed to mean “till death do us part.” But if you happen to accidentally marry into a sick and twisted family with a demented tradition of violence and murder, one would think the nightmare ends as soon as everyone is dead and the house is burning behind you. But sometimes life has a way of surprising you with a twist you didn’t see coming. After all, marriage is a contract between two parties, and not every contract conveniently expires just because one party winds up dead.
Or at least, that’s what Samara Weaving’s Grace soon learns at the start of this highly anticipated sequel to 2019’s devilishly wicked horror satire Ready or Not. For those who might not remember the original horror hit, Grace was the new young bride who finally got to meet her new husband’s ridiculously wealthy family, the le Domas. Little did she know their idea of a long-valued family tradition involved a deadly game of hide-and-seek meant to appease an ancient pact, instantly turning her wedding night into a blood-soaked fight for survival. Hunted across the family’s sprawling estate, she barely made it out alive, turning the tables on her new in-laws before their mansion went up in a fiery explosion that seemingly wiped the le Domas legacy off the map... or so she thought.
In this newly released first trailer for the upcoming sequel Ready or Not 2: Here I Come, Weaving’s Grace wakes up in the hospital, thinking the worst is over... only to realize her nightmare is far from finished. It seems her catastrophic hide-and-seek showdown has now triggered a new ritual game with another twisted and rich clan, the Danforth family, whose ties to the le Domas go back generations. Now Grace finds herself on the chopping block all over again, hunted once more — and not by a single deranged rich family, but by multiple “high council” families, including the Danforths, who are proudly hosting this demented event. And this time, Grace isn’t alone. As added leverage, she’s joined by her younger, innocent sister Faith (Kathryn Newton of Abigail and Ant-Man and the Wasp: Quantumania), who’s been unwillingly pulled into the madness just as four rival dynasties gear up to compete in a brutal, winner-take-all hunt.
Joining Samara Weaving and Kathryn Newton in the cast is a new roster of sinister high-society hunters who are all eager to spill a little blood to secure their place in the game. Let’s take a look, shall we:
Buffy the Vampire Slayer’s Sarah Michelle Gellar and The Pit’s Shawn Hatosy play Ursula Danforth and Titus Danforth, the psychotic hosts of this new hide-and-seek game. They run the estate with a chilling mix of old-money elegance and unhinged cruelty.
Elijah Wood is The Family Lawyer. He lays out the rules and delivers the fine print with a calm, unnerving precision.
Shōgun and Lost actor Néstor Carbonell plays Ignacio, an enigmatic Spaniard who finds things “exciting” for all the wrong reasons.
In a nice touch of casting, legendary body-horror filmmaker David Cronenberg takes on the role of Mr. Danforth, the head of the Danforth family. Bet your bottom dollar that this old guy has a few grotesque surprises tucked up his perfectly tailored sleeves.
Others in the mix are a platinum-blonde Kevin Durand, Olivia Cheng, Daniel Beirne, and Varun Saranga, each playing rich opportunists eager to stake their claim in the carnage.
The filmmaking collective known as Radio Silence — which includes directing duo Matt Bettinelli-Olpin and Tyler Gillett and producer Chad Villella — are back steering the ship for this sequel, once again working from a script penned by Ready or Not scribes Guy Busick and R. Christopher Murphy.
With the first film turning a $6 million budget into a $57 million worldwide hit and becoming a modern cult horror favorite, the sequel looks ready to blow the doors off the mansion all over again with even more carnage, chaos, and devilish fun.
Ready or Not 2: Here I Come hits theaters April 10, 2026.
Also, check out the trailer for the first “Ready or Not” film, below:
🎥 “28 Years Later: The Bone Temple” New Trailers: Ralph Fiennes Takes the Horror Franchise Into Darker, Deadlier Territory with Jack O’Connell — Hitting Theaters January 16th
What makes the 28 Days Later franchise so scary isn’t the zombies themselves, nor a world devastated by collapse... although those things are quite scary indeed. It’s the way screenwriter Alex Garland can examine the fragility of humanity in such extreme, pressure-cooker circumstances, revealing just how quickly fear turns civilized people into something far more dangerous than the infected.
28 Years Later: The Bone Temple is the fourth installment in the film series, but really it’s more of a continuation of what Garland and director Danny Boyle began two decades ago with their first film, 28 Days Later. And while Boyle has passed the directing reins to filmmaker Nia DaCosta (2021’s Candyman, Hedda) for this chapter, we imagine she’ll only push further into that examination of how much a person can withstand, and who they become, when every last layer of safety, comfort, and control is stripped away.
Serving as the middle entry of this new trilogy, picking up in the wreckage directly left by last year’s 28 Years Later, Ralph Fiennes returns as Dr. Ian Kelson, a former general practitioner still clinging to the idea of honoring the dead even as the living lose their grip on humanity. His fragile code is put to the test when he approaches Samson, the towering, muscle-bound infected (played by Chi Lewis-Parry), forging a new alliance that could change everything. That’s one storyline.
The other is led by Spike (a returning Alfie Williams), the teen who braved the mainland in the last film and now crosses paths with Sir Jimmy Crystal, a platinum-blond, wiry-haired, tracksuit-wearing cult leader played with psychopathic glee by Sinners’ Jack O’Connell. His flock, “the Jimmies,” look like a deranged post-apocalyptic boy band and act like a death squad. Spike’s induction into their gang becomes a relentless pressure-cooker situation, culminating in a visit to the Bone Temple itself.
Also starring Erin Kellyman, Emma Laird, and Maura Bird as members of the Jimmies, Garland’s script seemingly shifts the franchise away from the survival tactics of previous installments and toward the erosion of the human soul as desperation and decay become the new law of the land. And so the metaphor might be sharper than ever: when institutions crumble and hope collapses, humanity starts building a new system out of whatever’s left... even if what’s left is violence, fear, and the illusion of control.
With Boyle reportedly promising to return to direct the trilogy’s finale, fans are hoping for a tease of Cillian Murphy’s return as Jim. Rumor has it The Bone Temple might be laying the groundwork for his long-awaited comeback... which, honestly, might be reason enough to buy a ticket.
28 Years Later: The Bone Temple is scheduled to hit U.S. theaters on January 16th.
If you want a quick look at the franchise timeline, take a glance at the infographic below.
Here’s the trailers for the previous installments, watch below:
🎥 “Return to Silent Hill” Trailers: Jeremy Irvine Faces Fog, Guilt, and Pyramid Head in ‘Silent Hill’ Director Christophe Gans’ New Haunting Video-Game Adaptation — In Theaters January 23rd
Speaking of horror franchises rising from the dead. 2006’s Silent Hill was a cult horror hit that dropped right in the middle of the early horror–video-game boom, a moment when Hollywood was cranking out big-screen video-game adaptations such as Resident Evil, Doom, Hitman, Max Payne, and others. While it may not have gotten the same love as, say, the Resident Evil films, Silent Hill did end up spawning a 2012 sequel, Silent Hill: Revelation.
Not a critical hit nor a fan favorite, Revelation at least reminded audiences that the original 2006 film from French filmmaker Christophe Gans may not have been perfect, but it did manage to capture the tone of the video games more faithfully than most attempts. Well, it seems Gans, after twenty years since directing the first film in the series, is back for a second go. Thus, break out those fog machines, atmospheric chills, contorted nightmarish nurses, and monstrous Pyramid-Headed figures that look like they wandered straight out of the game’s most iconic nightmares. ’Cuz Silent Hill is calling again... and this time, it’s personal.
In Return to Silent Hill, Jeremy Irvine takes on the video game character James Sunderland, a man shattered by the loss of his soulmate, Mary Crane (played here by Jigsaw actress Hannah Emily Anderson). When a mysterious letter from Mary arrives — impossible, unnerving, and irresistible — James returns to Silent Hill, a once-familiar town now twisted by some malevolent force into a suffocating labyrinth of fog, guilt, and shifting realities. Every street is a threat. Every shadow feels alive. And every step deeper into the town drags James closer to the jagged edge of his sanity. As he searches for Mary, James confronts monsters that feel both literal and symbolic as the Red Pyramid returns and new horrors emerge. And the deeper James goes, the harder it becomes to tell whether he’s fighting the town... or himself.
With supporting roles from Robert Strange, Evie Templeton, Pearse Egan, and Emily Carding — and featuring an eerie music score by iconic Silent Hill video game composer Akira Yamaoka — filmmaker Christophe Gans has said this installment isn’t a direct continuation of the earlier films but a new anthology entry. It’s a whodunnit, a tragic love story, a descent into madness... all wrapped inside a supernatural thriller dripping with dread and terror.
Return to Silent Hill is due to hit U.S. theaters on January 23rd. Bring a light. It won’t help, but bring it anyway.






