🎥 “Disclosure Day” Final Trailer: Emily Blunt & Josh O’Connor Search for the Truth in Steven Spielberg’s New UFO Mystery Thriller — Hitting Theaters June 12th

Disclosure Day isn’t just a conspiracy-laden sci-fi thriller. It’s one directed by Oscar winner Steven Spielberg, who returns to the subject matter and genre that helped build his career: UFOs.

Only this time, the 79-year-old master filmmaker seems more interested in truth than mystery. Whereas his first sci-fi blockbuster, Close Encounters of the Third Kind, released nearly 50 years ago, built its tension around the enigma of not knowing what (or who) was trying to contact us, Spielberg’s latest appears to explore whether we, as a society, can even comprehend such a world-shattering revelation once the mystery is finally stripped away.

It’s also interesting to note that Spielberg, who was once a reliable box office champion churning out hit after hit decades ago, is still the main reason to see Disclosure Day. He is front and center in this newly released final trailer, offering more insight into the film’s big ideas while reminding us why his name still carries so much cinematic weight.

After all, a new Spielberg UFO movie is nothing to shrug off. Paired with the recent renewed interest in UAPs and what our government is willing to admit... or still refusing to explain, it feels like Spielberg may have found his way back to the genre at exactly the right moment.

In the film, Emily Blunt stars as a local weather woman who becomes pulled into a shadowy conspiracy after realizing she may have been abducted by extraterrestrial beings when she was young. That discovery leads her to a stranger (played by Wake Up Dead Man’s Josh O’Connor), a possible fellow abductee who may share a traumatic history with Blunt’s character. More importantly, he holds explosive evidence that could prove the truth is not only out there, but has been waiting for someone brave enough to disclose it to the world.

With multiple forces closing in (some government-backed, others privately funded interest groups), they attempt to tell the world what is really going on. The question is... is society ready to know the truth, or are we better off with our heads stuck in the sand?

Colin Firth, Eve Hewson, Wyatt Russell, Elizabeth Marvel, and Colman Domingo also co-star.

Spielberg directs from a story idea he wrote and from a screenplay by veteran screenwriter David Koepp, whose long history with the filmmaker includes Jurassic Park, The Lost World, War of the Worlds, and Indiana Jones and the Kingdom of the Crystal Skull.

“I am much more inclined now than I was when I made Close Encounters to really believe that we’re not the only intelligent civilization in the universe,” Spielberg says in this final trailer, popping up in this promotional material that recalls the days of big filmmaking personalities like Alfred Hitchcock. “I used to say to myself, wouldn’t it be wonderful if all of this turned out to be true? I’m now thinking, would it be wonderful for people to know... all of this IS true.”

Disclosure Day opens June 12th. Prepare for some uncomfortable truth and maybe a little existential panic on the side.

🎥 “Toy Story 5” Final Trailer: Woody, Buzz, and Jessie Battle a Smart Tablet for Control of the Toy Room in Pixar’s Latest Sequel with Tom Hanks, Tim Allen, Joan Cusack & Greta Lee — Coming to Theaters June 19th

No one wants to feel obsolete or outdated. People still want to prove they’re useful, no matter how old they get. The same goes for toys. Namely, a certain pull-string cowboy and a plastic space ranger.

That’s right, the old Toy Story gang is back. And this time, they might be facing their biggest threat yet: a world where playtime has gone fully digital. Will they get traded in for 1s & 0s, or whatever nightmare comes preloaded on a kid’s smart device?

Better question: how do you convince a child to pick something from an old-school toy box over a glowing digital screen in this day and age?

In this fifth installment of the popular Pixar franchise, Tom Hanks returns as Woody, Tim Allen is back as Buzz Lightyear, and Joan Cusack once again voices Jessie as they team up once more to defeat a new opponent in the form of Lilypad, a frog-shaped smart tablet threatening to make old-school toys obsolete. Now showing their wear and tear with a new bald spot or two, Woody, Buzz, and Jessie rally up the team as they confront not only this shiny new piece of kid-friendly tech, but also a new era where tactile entertainment isn’t the main attraction anymore.

Greta Lee (Past Lives, The Morning Show) voices Lilypad, a digital toy with sharp instincts, a shiny screen, and a serious advantage in the battle for Bonnie’s attention. If she had it her way, all the other toys would be boxed up and tossed somewhere in the garage.

Lucky for Woody, Buzz, and Jessie, this old gang still knows a thing or two about sticking together. After 30 years of toy adventures built on friendship and loyalty, this crew can survive just about anything... even the touchscreen generation.

Tony Hale returns as the anxious, lovable Forky, while Conan O’Brien joins the cast as Smarty Pants, a toilet-training tech toy. Ernie Hudson voices Combat Carl, with Anna Faris, Craig Robinson, Melissa Villaseñor, and Matty Matheson also joining the voice lineup alongside returning favorites Annie Potts, Wallace Shawn, Blake Clark, Bonnie Hunt, Kristen Schaal, and Keanu Reeves.

Directed by Oscar-winner Andrew Stanton (WALL•E, Finding Nemo) and co-directed by Kenna Harris (Ciao Alberto), this new Toy Story installment seemingly marks a return to what Pixar does best: mixing heart, humor, and tiny plastic existential dread into one big summer-ready adventure.

Toy Story 5 opens in theaters nationwide June 19th.

🎥 “Teenage Sex and Death at Camp Miasma” Trailer: Filmmaker Jane Schoenbrun Turns a Slasher Remake Into a Neon-Soaked Horror Fever Dream with Hannah Einbinder and Gillian Anderson — In Theaters August 7th

Let’s make a little concoction, shall we? Toss David Cronenberg’s Videodrome into a neon-colored vat of body-horror madness, stir in a splash of midnight-movie sleaze, and let the whole thing start to boil a bit. Now throw in some ’90s X-Files nostalgia, add a healthy dose of Friday the 13th slasher mayhem, and you’ve got the kind of freaky genre cocktail that feels like it was brewed in the back room of a haunted video store.

Indie filmmaker Jane Schoenbrun, of I Saw the TV Glow fame, returns with their latest stylish horror concoction, and it feels very much like the kind of genre cocktail we just described, yet still not quite definable by any normal rules of genre or cinematic logic. As a filmmaker very much driven by tone and atmosphere, Schoenbrun seems to be continuing to blend haunting retro horror nostalgia with themes of identity, alienation, and the strange ways pop culture can burrow under one’s skin.

With Teenage Sex and Death at Camp Miasma, Schoenbrun joins forces with Emmy-winning Hacks star Hannah Einbinder and two-time Emmy winner Gillian Anderson, of The X-Files and The Crown, as they offer a meta dive into making a horror franchise remake that quickly slips into a fever dream of warped nostalgia and identity-bending weirdness.

Here, Einbinder stars as Kris, a young rising horror filmmaker who wins her dream job of directing the next installment in the Camp Miasma horror film series. Intended to be a revival chapter in the slasher franchise (picture Crystal Lake meets late-night cable horror), she has a vision of bringing back the original final girl for one last bloody encore.

Anderson plays Billy Preston, the now-aging, eccentric actress from the original 1980s films who has remained reclusive for decades, carrying both the franchise’s cult legacy and a few strange secrets of her own. After agreeing to meet Kris, they both soon find themselves pulled into a surreal creative partnership where obsession, fandom, attraction and buried trauma start twisting the film project into something far stranger than anyone planned.

Already creating waves at its recent Cannes world premiere, where it earned mostly positive reviews while reportedly leaving audiences slightly confounded, Teenage Sex and Death at Camp Miasma proves Jane Schoenbrun isn’t a horror filmmaker who plays by the same old genre rule book, but rather one who likes to bend it until it starts gushing neon-soaked psychosexual madness.

Co-starring Sarah Sherman, Eva Victor, Zach Cherry, Patrick Fischler, Dylan Baker, Jasmin Savoy Brown, Quintessa Swindell, Kevin McDonald, and Amanda Fix, Teenage Sex and Death at Camp Miasma is slated to hit theaters August 7th via MUBI. Buy a ticket for yourself, and bring your inner VHS-era horror freak along for the ride.

🎥 “Primetime” Teaser: Robert Pattinson Plays Chris Hansen in A24’s Behind-the-Scenes Drama-Thriller About the Birth of “To Catch a Predator” — Coming Soon

Back in the mid-2000s, there were few words more terrifying to online predators than Chris Hansen’s now-iconic greeting on Dateline NBC: “Hello, I’m Chris Hansen. Why don’t you have a seat?”

Now imagine that being said by Robert Pattinson.

In what is shaping up to be a very busy year for The Batman star, which also includes the other A24 film The Drama and Christopher Nolan’s upcoming epic The Odyssey, Pattinson takes on the role of famed NBC journalist Chris Hansen in Primetime, a behind-the-scenes drama-thriller about the creation of To Catch a Predator.

Set in 2006, the film explores how Hansen and his team set out to make television history with an undercover news segment built around sting operations targeting suspected child predators who believed they were meeting underage victims online. Instead, they walked into a televised trap, a waiting camera crew, and one of the most uncomfortable confrontations ever broadcast into American living rooms.

What began as a shocking piece of investigative television quickly became a cultural phenomenon. That strange, deeply unsettling catchphrase (“I’m Chris Hansen, from Dateline NBC”) turned into must-see TV, while the segment itself opened the public’s eyes to the growing threat of online predators and the disturbing ways the internet had changed stranger danger for a new generation.

Directed by Lance Oppenheim, who helmed the acclaimed documentary Some Kind of Heaven, the upcoming film also stars Merritt Wever, Skyler Gisondo, Matthew Maher, and Bokeem Woodbine.

A24 has yet to announce an official release date, but Primetime is coming soon to theaters later in the year.

🎥 “Gail Daughtry and the Celebrity Sex Pass” Trailer: Zoey Deutch Chases the Elusive Jon Hamm Through L.A. in David Wain’s Ridiculous Hall Pass Comedy — In Theaters July 10th

A hall pass... a celebrity sex pass, whatever you want to call it. It’s one of those silly little relationship hypotheticals designed to make your romantic partner laugh. The basic idea is that, should the wildly impossible opportunity ever arise, you’d be granted a “free pass” to sleep with your celebrity crush.

But what if it wasn’t so hypothetical, and you actually caught your partner in the act with their so-called celebrity hall pass? What then? Well, for Gail Daughtry, she doesn’t just get mad... she gets even.

In the new silly goofball comedy Gail Daughtry and the Celebrity Sex Pass, from director David Wain, the comedian and filmmaker behind Wet Hot American Summer and Role Models, Zoey Deutch stars as Gail Daughtry, a small-town hairdresser whose engagement hits a very public pothole after her fiancé, Tom (Michael Cassidy), meets and sleeps with his own celebrity pass. Not exactly the kind of romantic detour anyone wants before the wedding.

So naturally, Gail heads to Los Angeles to even the score. And we do mean she intends to even the score in the most literal, ill-advised, celebrity-stalking way possible.

Joined by her friend Otto, played by Miles Gutierrez-Riley, Gail gets pushed further down the rabbit hole after a psychic convinces her that the only way to save her marriage is to “even the scales” with her own celebrity crush.

Her target? Jon Hamm. Apparently, Don Draper might be the key to marital healing. Or at least one spectacularly bad idea.

From there, Gail and Otto team up with a talent agency assistant (played by Ben Wang), a paparazzo (Ken Marino), and Mad Men’s very own John Slattery as they chase Hamm through the weird, wacky underbelly of Los Angeles.

The stacked cast includes Jon Hamm and John Slattery as themselves, alongside Sabrina Impacciatore, Joe Lo Truglio, Thomas Lennon, Fred Melamed, Michael Ian Black, Richard Kind, Zac Oyama, and “Weird Al” Yankovic, with a lineup of star cameos rounding things out.

Co-written by Wain and Marino, Gail Daughtry and the Celebrity Sex Pass opens in theaters July 10th.

🎥 “Enola Holmes 3” Teaser: Millie Bobby Brown’s Young Sleuth Takes on Marriage, Mystery, and a Dangerous New Case — Premiering July 1st on Netflix

Some detectives solve crimes with a magnifying glass, a sharp eye, and a stiff upper lip. Enola Holmes, on the other hand, prefers to solve her mysteries while breaking the fourth wall, dodging danger, and reminding everyone that being a Holmes doesn’t mean a wedding ceremony will stop her from cracking the case.

That’s right, Netflix’s Enola Holmes franchise is back for a third round, with Millie Bobby Brown once again stepping into the boots of Sherlock’s brilliant, rebellious younger sister. And this time, Enola is heading far from London, where things appear to get even more complicated... more personal, a little more professional, and probably a bit more romantic than she expected.

In Enola Holmes 3, Enola finds herself caught up in a new case involving her famous older brother Sherlock, right around the same time she has been proposed to in marriage. And for a young detective who has already survived missing-person mysteries, political conspiracies, family drama, and the general inconvenience of being constantly underestimated by nearly everyone around her, this could be her most tangled case yet. It’s a new case... and a new location. But it’s also the same young Holmes refusing to stay out of trouble.

Louis Partridge returns as Tewkesbury, which suggests Enola’s personal life may be just as messy as the mystery itself. Henry Cavill is also back as Sherlock Holmes, bringing his usual brooding detective energy, while Helena Bonham Carter returns as Enola’s unconventional mother, Eudoria.

Philip Barantini, the Emmy-winning director of Adolescence, takes over the directing reins for the franchise with what sounds like a bigger, more dangerous case for Enola to crack.

Netflix is also reminding viewers that Enola Holmes and Enola Holmes 2 are now playing, so there’s plenty of time to catch up before the next mystery arrives.

Enola Holmes 3 premieres July 1st on Netflix.

New Trailers! Disclosure Day, Toy Story 5…